Tuesday, October 31, 2006

Andrew Sullivan's Soul

Though billed as "one of today's most provocative social and political commentators" on his book jacket, Sullivan's substantive views are almost frighteningly banal.

-Matthew Yglesias
I can't recall the title, but I recently picked up a new novel by precisely the sort of young, so-called postmodern writer that Andrew Sullivan would surely despise without reading, and the dust jacket copy began:
Did you know that most authors write their own jacket copy?
So there is that.

There is also the fact that Andrew Sullivan writes for Time, a publication of almost magisterial banality.

But mostly there is the fact that Andrew Sullivan is a world-class, self-obsessed, bien-pensant twit writing a blog that, par contre Yglesias' praise, offers no substance other than a skein of narcissistic reflections, a strung strand of popcorn, a candy necklace. Yglesias says that Sullivan offers a sensibility, which is rather like saying that some poor, homely girl has a winning personality, a pretty laugh, or a great smile. Sullivan, to hear Yglesias tell it, is widely but not deeply read, occasionally funny, always self-involved, and never terribly original. He is, in other words, every other gay man with a bachelor's degree.

The problem with Sullivan isn't, as Yglesias says, that he doesn't actually know what on earth he's talking about, but that as the living avatar of banality, he is immensely popular, since there is nothing Just Folks like more than hearing what they already believe, but said purdier. Sullivan gets credit for somehow turning against Republicans, and if you operate from the assumption that the division that matters in America is between the Donkle and the Oliphant, then that credit is due. If, on the other hand, you find yourself in the ever-declining minority that asks into the substance of beliefs, here is what you find in Andrew Sullivan: a man whose Church irrationally condemns him and consigns him to damnation who is churched nonetheless; a man who believes in a modest bellicosity even though it always fails; a man who invariably condemns in the harshest terms the avant, until he drags his dawdling arrière up the the very line that reasonable forward-thinkers long-ago laid down, and then from that vantage again condemns the swifter thinkers. He calls this "skepticism." Perhaps you can think of another term.

Sullivan calls himself a conservative, which in his writing, if not his mind, means a defender of his own habitudes against the depredations of those "fundamentalists" (Yglesias is good on his use of that word) whom he sees seeking some radical alteration of Andrew Sullivan's quotidian existence. In the universe of his writing, Andrew Sullivan is the immovable object. The Church drifts from him. The War drifts from him. The Party drifts from him. But poor Andy, wherever he goes, there he is.

He claims to enjoy Montaigne and seems to believe that Je suis moi-même la matière de mon livre means that Essais is a collection of autobiographical sketches to amuse, enlighten, and entertain--as if Montaigne, were he alive today, might be hawking copies during NPR pledge drives and letting Terri Gross ask him what it was like to discover that his grandmother had been a Jew, and how did that affect his career as a writer?

Here is a part of what Susan Sontag wrote on September 24, 2001:
Our leaders are bent on convincing us that everything is O.K. America is not afraid. Our spirit is unbroken, although this was a day that will live in infamy and America is now at war. But everything is not O.K. And this was not Pearl Harbor. We have a robotic president who assures us that America stands tall. A wide spectrum of public figures, in and out of office, who are strongly opposed to the policies being pursued abroad by this Administration apparently feel free to say nothing more than that they stand united behind President Bush. A lot of thinking needs to be done, and perhaps is being done in Washington and elsewhere, about the ineptitude of American intelligence and counter-intelligence, about options available to American foreign policy, particularly in the Middle East, and about what constitutes a smart program of military defense. But the public is not being asked to bear much of the burden of reality. The unanimously applauded, self-congratulatory bromides of a Soviet Party Congress seemed contemptible. The unanimity of the sanctimonious, reality-concealing rhetoric spouted by American officials and media commentators in recent days seems, well, unworthy of a mature democracy.
Sullivan called her a traitor and fifth columnist and said that she "waits in a welter of metaphor until they murder us again."

Now, of course, Sullivan feels that he and others fell too easily into step behind an out-of-depth (at least!) president. He believes that a lot of thinking needs to be done about the ineptitude of American intelligence and counterintelligence, as well as a a smart program of military defense. He knows that the public is not being asked to bear much of the burden of reality. He is sure that the sanctimonious, reality-concealing rhetoric of our officials is contemptible.

Susan Sontag is dead, of course, and Sullivan still gives out an award named in her dishonor to those whose positions deviate too greatly from his own, even as he has come to agree with that far greater, better, kinder, more decent, more intelligent, and more humane human being five years after the fact.

Update: Corrected the gender travesty in the French. Note--avoid second language when pissed off.

9 comments:

atheist said...

Some people think that poking fun at Sullivan is 'progressive' and 'smart'. These same people also believe that Sullivan's recent statements against Bush mean that he has some small amount of integrity.

Thank you, IOZ, for illuminating the banal stupidity and hypocrisy of his ideas, his essential uselessness to anyone who is interested in understanding the real world. The fact that he's not even a very good propagandist.

Disenchanted Dave said...

Minor correction: after Sontag's death, Sullivan renamed the Sontag award the Moore award. The current list of awards is here and doesn't include Sontag.

IOZ said...

Thanks, Dave. That raises some odd . . . issues as well. I think I'll do a follow-up post rather than a quick update. Sometime in the next day or so.

tonto_cal said...

Like other gay men of his ilk, Cardinal Sullivan clutches the 'conservative' label close to his breast because, after all, how much attention could he garner if he was just, you know, another well adjusted gay liberal?

Waxmaker said...

It's spelled "narcissistic", you sneering popinjay.

Max Renn said...

At 1:38 PM, Waxmaker said...
It's spelled "narcissistic", you sneering popinjay.

Don't you mean 'drink-soaked Trotskyite popinjay'? Oh wait . . .that refers to Hitchens, not the blog proprietor here. Hitchens is your buddy, isn't he, Sully-pooh?

IOZ said...

And here I was worried about my French! But really . . . popinjay? That's the sort of adjective that invariably self-applies to its user. I'm not disclaiming it, mind you, but only saying . . .

Thanks for stoppin' by, new peoples.

X. Trapnel said...

To be fair, Sullivan has a PhD in political theory, not merely a bachelor's.

Anonymous said...

Thanks for the rare mention of Sullivan's trashing of Sontag, which I believe he began after she wrote the Talk of the Town piece in the week following 9.ll, though I may be wrong.
Leave it to a man of the detestable manners of Sullivan to essentially attack the widow for her comportment at a funeral, and when everything she said was from the heart and on the nose. Sullivan, who misunderstands New York completely, let his elbows fly to position himself as the most significant mourner for months after the tragedy, choking up at Fire Island sunsets and writing about it, so we'd all know it was he behind the veil. This repulsive posturing primed the pump for his grand eruption, in support of Bush and the war, because his pain must be revenged.

Sontag could fill big intense halls in Manhattan with appreciative crowds whenever she spoke and she loved the city too. The New Yorker chose her out of its vast resources of available authors to write for its first post attack issue because she was a woman of moral thought who contributed to civilization and art.

Incapable of understanding any of those virtues, poor, obscene Sullivan, a man who thinks the 80s art scene was about Madonna, must have been so mystified by the choice.