Well, now that I, too, have been dragged to see Juno, I guess I ought to say something that differs from or adds to what Roy E. said, although I think he was pretty much right on.
What I found particularly galling and preposterous was that the titular character is bruited and advertised as a punk, a fan of Iggy and the Stooges, and yet I sat in a dark theater for ten thousand hours listening to some boy-and-girl band croon nonsense pop. There is no one on earth I find quite so aesthetically despicable as Wes Anderson, so you can imagine my dismay. Emo is supposed to be short for Emotion or Emotive or something, and yet for all its saccharinity, it lives as a veil of cheaply purchased irony and an absence of real feeling. Falsetto chirping is inapposite to psychic distress, and yet here is a character whose most difficult test is sountracked by the sound of uninventive chords on acoustic guitars. How I longed for John Belushi to smash one against a wall in the stairs.
Otherwise, what Roy said. Slight.
Tuesday, January 29, 2008
Djoo Know?
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2 comments:
Right on. That twee was sickening. Search and destroy, motherfuckers.
I used to rag on emo all the time and then someone told me "Everything that you've been told is emo is not. Real emo is like Rites of Spring", and I thought "Oh, I like Rites of Spring", but then I remembered I'm a nominalist and decided to continue ragging on emo.
I mentioned your thesis to the Mrs., fan of Juno, and she thought the emo was a constant reminder of the girl's adolescence. She said she dug Iggy, but she was, after all, just a kid. The whole movie revolved around that duality. And seeing as Juno was written by a punk-rocking former stripper, it seems plausible.
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