In that Empire, the Art of Cartography attained such Perfection that the map of a single Province occupied the entirety of a City, and the map of the Empire, the entirety of a Province. In time, those Unconscionable Maps no longer satisfied, and the Cartographers Guilds struck a Map of the Empire whose size was that of the Empire, and which coincided point for point with it. The following Generations, who were not so fond of the Study of Cartography as their Forebears had been, saw that that vast Map was Useless, and not without some Pitilessness was it, that they delivered it up to the Inclemencies of Sun and Winters. In the Deserts of the West, still today, there are Tattered Ruins of that Map, inhabited by Animals and Beggars; in all the Land there is no other Relic of the Disciplines of Geography.
-Borges, "On Exactitude in Science"
Although I think Matt Y. is
wrong about the neat split between popular and literary fiction, and although early audiences were perfectly capable of digesting fiction without the affectation of reportorial, first-person familiarity popular in early novels, he's definitely right to mock the pretense of "truth" in so-called memoirs vs. the idea of mere verisimilitude in supposed fiction. Since there has been another recent spate of memoirists revealed to be serial fabricators, this time cashing in on the Holocaust porn industry rather than the Drug-redemption porn industry and the Quirky-family porn industry of the recent past, let me, as I have famously put it, just say this about that.
Firstly, anyone who is interested in the ethics of truth and fiction could save themselves a lot of headache by simply reading the collected works of J.M. Coetzee, who has already though about it longer, harder, better, and in far, far more detail with far, far greater rigor than you, I, or anyone else ever will . . . ever. Otherwise, the truth is that it was not early audiences that suffered from an inability to distill truth from fiction and vice-versa, but
contemporary audiences which have the trouble. I will tell you straight up, yo, that 18th-century readers were not under the broad impression that Moll Flanders was a "real" person any more than 19th-century readers thought that Becky Sharp was a real person or middle-20th-century readers thought that the Joads were an actual family. 14th-century readers, admittedly few and far between, were not under the impression that Dante
actually descended into hell. The traditions of parable and allegory and symbol are older than recorded history. We flatter our modernity by thinking that the palmy Greeks thought that
The Odyssey was true in the same way that a David McCullough tome is true, but this conviction is highly doubtful. It is a rare culture that confuses its truths with its entertainments, and usually a doomed one at that.
Which brings us by commodius vicus to these good ol' United States of America in this Year of the Bored 2008. What we currently face is a culture--and I use the term loosely, like a well-worn gogo boy's behind--in which the reportorial pretensions of our entertainment industry, which includes everything from James Frey to Lou Dobbs, have perverted our entire moral imagination, so that by and large we believe that
all moral instruction must proceed from that which we rather hilariously deem non-fiction. This attidude has been many decades in the making, and it has infected religion, literature, politics, art, ad inf. Biblical literalism of a sort that would've shocked the Nicenes is a fine example. "To Catch a Predator" is another. CNN, Fox News, and MSNBC are in their entirety. In attempting to discern a clean, Cartesian break between fiction and non-fiction, we have committed as grave--and as ridiculous--an error as the persistent foolishness that holds some separation between body and soul, physical and personal self. All writing is in fact fiction. There are no true books or false books. There are only good books and bad books.