Rachel Getting Married. The critics loved that shit. Jonathan Demme. Debra Winger! (?) A rambling house in Connecticut. HighDefDigVid. Interaciality. Rehab!
The story, briefly: Anne Hathaway gets out of rehab, goes home to where her NPR explosion of a family is celebrating her sister marrying the young Idi Amin, who is inexplicably fond of Neil Young. Bill Irwin is dad; he putters around. Debra Winger is mom, divorced from dad, moving in and out of scenes. Then Anne Hathaway remembers how she had a Chappaquidick, and her mom slaps her around, and her sister gets married, the end.
Anyway, I am a recreational drug user and all that, but I've got friends and relatives and lovers who are all twelve-steppers, and Jesus Christ, even when the movies get it right, they get it wrong. At one point, step-mom is all like, "We've been to Nar-Anon, Anne Hathaway." Um, apparently you missed the chapter entitled Detachment with Love, and decided instead to spring your whacked-out D-in-L from the residential program in order to Accept Her all weekend long, which is exactly the worst idea ever, the sort of thing you do on the first round of recovery, but swiftly learn Isn't Helping.
The critics who found this piece of trashy voyeurism so bracingly "honest" about addiction and "dysfunctional families" would condescend to anyone admitting an affection for Intervention, but I found little to separate the two, from the lousy plots to the lousy camera work.
Thursday, May 14, 2009
Let Go and Let God
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19 comments:
"the young Idi Amin"
Right, because every time I see a black guy I think, "there goes a young Idi Amin."
Whoa, really? Me, I just like movies that use "marrying a black dude" as shorthand for libgressive open understanding character.
IOZ, really, whatever joke you were trying with that line, it really didn't work.
I get it now: movie set in the '50's, like with Spence and his bottle and Kate and young Idi.
My wife went apeshit for the part where he sang the Neil Young song. I didn't have the heart to lay into the movie as a whole and this scene in particular really captured the essence of the entire thing for me. The sister character had never seen a desert highway, couldn't tell a v-twin from a boxer, and the closest she got to working in a diner was tipping the help at their erudite Connecticut coffee shop. Suddenly she's being serenaded with the paean to a motorcycle mama? Didn't add up.
Should have been set in some shithole housing project or a trailer park. Gritty realism of the perfect family that is not so perfect, on par with that idiotic Sofia Coppolla movie relating the hard knock life trapped in a boutique hotel halfway around the world with daddy's credit card. Nauseating. Acting was good and direction was as well.
Hey Chris, that's just, like, your opinion, man.
This from the man who praised Wolverine?Unlike my spouse, I was not made nauseous by the camera work. if you can get past that there's a movie here, not in watching Anne's rehab but in watching her relatives' extreme awkwardness about it.
This movie sucked, royally. Hathaway's performance was ok, but those documentary-style interludes showing hippies playing fiddles and tablas was annoying as hell.
I'll actually go against the grain and say that I actually really enjoyed the movie, probably because I know next to nothing about twelve step programs, and that it all came back to the mother at the end. But yeah, I didn't understand what all that Ganesha stuff had to do with an interracial marriage in Connecticut, where the white family was nuts.
Aaron - all white families in CT are nuts... I mean, does anyone not see this?
I haven't seen this movie, so I can have no comment, but really - all white families from CT are nuts. I can't reiterate that enough.
I come from IN btw, where just about every family still holds to the 'ideals'(sic) of the KKK.
I was not made nauseousWere you perhaps nauseated?
Lucid, I live in CT. I think I can fairly say that insanity in families hereabout is rigorously Equal Opportunity. The styles with which that insanity presents does change based on race and class, and nobody does full-on bat-shit like festive Caucasians of the wealthy persuasion. A situational awareness of the dominant type of derangement and delusion in any given locale is key to survival for those residing or passing among us.
Freiheit, I'm calling pedant on you. If enough people make the same mistake, it's considered correct usage.
Oh Ioz, was there any critically praised movie last year that you actually enjoyed?
Seriously, let's see some Wall-E hate already.
Why did the wedding have an Indian theme? That bothered me a lot more than the addiction motif.
At one point, step-mom is all like, "We've been to Nar-Anon, Anne Hathaway."No shit! They actually used her real name in the movie? How noirish.
Did this movie really deserve so much vitriol? I mean, yeah, it's one of those 'man, it sure is hard to be hyper-educated, white and rich' kinda movies, but it wasn't quite as offensive as all those late Woody Allen dramas (Match Point, etc.), where everyone's pretending it's 1910 or something. I feel like these excursions into cultural criticism are just statements of pure taste/personal preference (i.e., Dark Knight was overrated and highfalutin, whereas Wolverine doesn't try to lie about being a forgettable patiche of explosions/fight scenes) disguised in the lingo of post-modern sophistry. Anyway, let's all pause, take a deep breath and acknowledge that bitchy cynicism has its limits...
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