So eventually Freedom takes a deep breath and forces us to consider Conor Oberst. I stared at the page. Somewhere in Philadelphia, Terri Gross, reading the same passages, died, her clit swelling straight up through her body and brain, exploding out the back of her skull like a cordyceps fungus out of a bullet ant. Honestly, Jonathan Franzen, Bright Eyes? Really? I know the scene is supposed to be set in 2004, but weren't you already assured of fawning NPR interviews?
Anyway, it is plain in retrospect that I took this preposterous tome about a thousand times too seriously. I admit, I must have been feeling a little defensive. I might've wanted to prove that my opinions about this fucking hack weren't merely glib, tossed-off, careless bits of contrarianism. Whatever, fuck that shit. You may recall I mocked Freedom's second segment, a failed effort at mock autobiography. Yeah, well, the "autobiography" turns up as a plot device. All is revealed! (Also, one character who reads it compliments "Patty"'s writing. Oh, Lord. Coetzee just dug himself a grave and shot himself in the head so that he could fall in and start rolling.) The Most Important Novel of 2010 turns on a plot device cribbed from a Baby-sitters Club novel. Dear Diary, get bent.
Friday, September 17, 2010
Freedom, enchaîné
Labels:
Culture,
Literature
Subscribe to:
Post Comments (Atom)
16 comments:
oooooh cordyceps.
I want the name of any bastard Philistine who would ever accuse you of posting 'merely glib, tossed-off, careless bits of contrarianism'. I want that name! I do appreciate the fleeting image of Terri Gross' clit before I got to the second half of that sentence.
Thanks for taking the bullet on this. If you're ever in DC, drinks are on me in repayment.
http://www.npr.org/blogs/thetwo-way/2010/09/16/129917886/jonathan-franzen-oprah-book-club-pick-corrections-freedom-terry-gross-fresh-air
CASE CLOSED
hahaha...the Terry Gross clit image is um...gross, but hilarious. I worship your wit again today.
The Most Important Novel of 2010 turns on a plot device cribbed from a Baby-sitters Club novel.
Clever, but not enough to hang a man. McEwan's Atonement turns on two plot devices that would make a soap opera fan blush: Oops, I Sent The Wrong Letter and It Was All A Dream.
McEwan's Atonement is also bad, although not as totally embarassing as his Nineleven novel, Saturday.
McEwan's Atonement turns on two plot devices that would make a soap opera fan blush: Oops, I Sent The Wrong Letter and It Was All A Dream.
That was such a comedown after "we were holding an unmoored hot air balloon when our eyes met..."
Franzen is to "literature" what Obama is to "politics."
Branding, baby. And pulling on heart-strings.
A soap opera.
Triumphant.
"First and foremost, it's a literary book. And I think it's an accessible literary book. It's an open question how big the audience is to which it will be accessible, and I think beyond the limits of that audience...' kind of responses." -Franzen on Franzen being Oprah approved "literature"
I was hoping the Oberst bit was intended to deepen our contempt for Walter. But at this point I'm losing faith.
Interesting how B.R. Meyers' Atlantic takedown misses almost all the takedown-worthy elements of the novel - the cheap plot devices, the over-explanation, the inability to modulate voice, the inconstant characterization. These don't seem like subtle flaws.
Meyers' piece is in my queue, but I've not read it yet. I am actually a little sympathetic to the Oberst thing. I mean, it actually is really difficult to work contemporary popular culture into a work of fiction without sounding ridiculous five minutes later. It's just so obvious when the authorial veil drops and even the old rocker Katz opines that in spite of his dislike Oberst is some kind of authentic genius that I start to groan. I mean, it's like going home to visit your folks and finding your dad listening to Vampire Weekend on vinyl.
I hafta say this:
And when her clit broke through the skin, did it say:
"This is FRRRRRRESHHH AIRRRRRRRR!"
in an über-breathy phonation?
IOZ, I'd like to see your take on Wm. Gibson's latest, especially since you're swooning over the "Dickheads" tune. I thought the whole novel would be dickhead-punk, but so far, about a third of the way in, it's still holding my interest.
Terri Gross' clit -- er, well, oy.
-- sglover
Seems like Franzen confused "morally ambiguous characters" with "worthless sacks of shit."
I have to research more on this as it seems very interesting. One thing I don't understand though is how everything is related together.
Post a Comment